Casandra Stark
Know for: Directing
Born:
Place of birth:
Also know as:
We Are Not To Blame (1989)
The apparent strangeness of two sisters becomes easily understood as they wreak appropriate revenge on one of their abusive husbands, by tying him up...
Wrecked on Cannibal Island (1986)
Casandra and Natz pose as a couple locked in a domestic dispute documenting the futility of human relationships and the pointlessness of love.
Abnormal: The Sinema of Nick Zedd (2001)
THE SINEMA OF NICK ZEDD is the first DVD collection of the filmmaker’s works, and includes 11 of his films as well as outtakes, interviews, and...
Go to Hell (1986)
A junkie wakes up on the streets and walks around, seeing a woman dressed in all white and a heroin addict shooting up.
Submit to Me Now (1987)
Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to...
X Is Y (1990)
Experimental film consisting of images of young women handling automatic handguns and rifles.
Blank City (2011)
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire...
Death of an Arabian Woman (1991)
"Death of an Arabian Woman" (1991) originally 16mm, color, 12 min. With music by Motherhead Bug. Harkening back to her use of Catholic imagery in...
We Are Not To Blame (1989)
The apparent strangeness of two sisters becomes easily understood as they wreak appropriate revenge on one of their abusive husbands, by tying him up...
Wrecked on Cannibal Island (1986)
Casandra and Natz pose as a couple locked in a domestic dispute documenting the futility of human relationships and the pointlessness of love.
Death of an Arabian Woman (1991)
"Death of an Arabian Woman" (1991) originally 16mm, color, 12 min. With music by Motherhead Bug. Harkening back to her use of Catholic imagery in...
Death of an Arabian Woman (1991)
"Death of an Arabian Woman" (1991) originally 16mm, color, 12 min. With music by Motherhead Bug. Harkening back to her use of Catholic imagery in...